Showing posts with label Kurt Vonnegut. Show all posts
Showing posts with label Kurt Vonnegut. Show all posts

Monday, March 24, 2008

Existential Science Fiction; Michel Houellebecq

OR; A BOOK REVIEW IN THE FORM OF A RANT ON CATEGORIES I DON'T BELIEVE IN (hypocrite).

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Michel Houllebecq with dog. Philip K. Dick with cat.

About a year ago I read an article in The Believer on The Believer that lead me to want to read the works of Michel Houellebecq, an author who has a reputation for offending people, especially those who follow religion or spirituality of any sort or are a muslim or are a woman. The article relates a rather boring literary tour of The States Houellebecq was making that the author of the piece was asked to tag along on. During the entire run of the article the author/reporter is waiting for Houellebecq to do something horrible, but the novelist mostly pretends to be asleep in the back seat of the car.

Since then I have read Extension du domaine de la lutte (in english translation: Whatever), Les Particules elementaires (The Elementary Particles) and La Possibilite d'une (The Possibility of an Island) . Each of these novels are pretty much what I was lead to believe they were; nihilistic, existential, often depressing, serious, offensive if you take offense to things written in novels (for instance women don't usually make out as anything more then someone to stick your dick inside), and really good. All of this was to be expected.

What I didn't expect upon reaching the end of Les Particles elementaires was to find out that the entire time I thought I had been reading a really serious "nihilist classic" (quoted from somewhere, loosely) I was really reading a really excellent piece of SciFi. As the last chapter reveals the entire novel is written by an evolved form of humanoid who tells the story of one of the human scientists responsible for the evolution from human to humanoid in order for the humanoids to better understand their human predecessors. The Possibility of an Island starts out SciFi, as every other chapter is written by a clone (Daniels 24 and 25) commentating on the life story of the human he was cloned after (Daniel 1).

What strikes me as dead strange is the lack of reviews that put Michel Houellebecq's novels in the category of Science Fiction. (Houellebecq himself has, however, written an essay on H. P Lovecraft.) In fact, if Les Particles elementaires was an album put out by a band I might review it as The Stranger if Albert Camus wrote Science Fiction, or, something Philip K. Dick* might write if he was a grumpy french man. Granted, Whatever had no real trace of sci-finess, but it also had very little trace of a plot, one might liken it to a long rant. Each subsequent novel (including Platform which I have yet to read) could easily have been a plot device used by Kurt Vonnegut.

The only reason I can come up with for this complete lack of discussion on the topic is that the stigma of Science Fiction would stop people from declaring Houllebecq "the new Camus" or "the best french writer of his generation". I however, have no problem with declaring that most of my favorite novels are Science Fiction novels and that Science Fiction seems to be the only fiction that makes any real sense these days.



*It might even be interesting to write a long essay comparing the the use of cloned animal companions (dogs only) in The Possibility of an Island with Philip K Dick's character's obsession with android/real animals in Do Androids Dream of Electric Sheep. In both novels the love of an animal outweighs the love of another human being.

Tuesday, November 6, 2007

I am 27. I make art.



For all of those who haven't followed me from blog to blog a little art introduction; I just had a little art show at Padlock Gallery in Philadelphia. It was called "27" in honor of the fact that I turned 27 the day before the show. Lately I have been drawing large groups of people composed of people I know and people I find on the internet or in glossy mags, these drawings don't photograph well for me. I also produce "floral arrangements", copy essays, and draw (mostly flowers) on sheets. This show was accompanied by a little zine called "Ordinary People Can Typically Gain Power by Acting Collectively."

I dedicate my most recent work to Edward Gorey, Philip K. Dick, and Susan Sontag, but a big inspiration for my recent thought processes has been the books Bluebeard by Kurt Vonnegut and The Lives of the Artists by Giorgio Vasari.

Basically my thesis is art takes time and you judge an artist on a life's work, this is a problem if you want to live and eat on a daily basis so you have to find a way to do that:



You'll have to excuse my love of pictures with lots of flash--this is what you'd see when you walked into the gallery, a mirror's eye-view of "Portal of History" which is a beaded curtain made out of tapes of my recorded voice reading The Lives of the Artists.



Outside of the mirror, you cannot read Giorgio Vasari.



A detail.



The right side of the gallery.



"Decorative Element", a drawing on a sheet.



"Flower Arrangement 12"



"Yellow Sign Menu"



Detail.



"Spiderman" I was planning on naming this piece Black Flag but Jasper Johns might already have one like it, plus I already reference Raymond Pettibone--I'm punk rock at heart but this piece is about claiming responsibility for the place you live in and the mess you have allowed that place to make. Think of the ending scene in the first Spiderman movie.

Now some bad flicks of my drawings:



"Dial 481" everyone's favorite, it refers to a mood you can dial in Philp K. Dick's Do Androids Dream of Electric Sheep?. The mood is about coming out of despair and seeing endless possibilities for the future.



Detail.



"Really Full Subway Car" This flick is so terrible you can't see anything, basically many people are in the subway car, which floats in a sea of thoughts.



Detail. There was also one other drawing that I didn't even attempt to photograph.

Special thanks to Fabric Horse for writing my show up!

That's me, now let's talk about the rest of the world.